This report was commissioned and published by Corridor8 and can be read here. On the drab January day that the United Kingdom left the European Union, a healthy audience gathered […]

An empty basketball court, divided by worn-out floor markings. The tide crawling towards a barren shore. Drying clothes draped over a window frame. A fallen oak tree. Within the flows […]

Last year Super Slow Way commissioned me to document Suzanne Lacy’s new work Shapes of Water, Sounds of Hope in Brierfield. I spent three days in the town shadowing the project. […]

I’m delighted to have been published in ‘On Being Curious’, a new book from The Double Negative to mark the Contemporary Visual Arts Network North-West (CVAN NW), Arts Council England-funded Critical […]

“Completely committed to the development of young talent”: Introducing Liverpool Biennial’s Associate Artists Programme In offering international travel expenses, curatorial mentorships and commissions, Liverpool Biennial is giving artists based in […]

My feature on Super Slow Way, commissioned by CVAN as part of its #writecritical programme, has been published on The Double Negative. Read it here. Image:  Stephen Turner’s Exbury Egg, western red […]

In today’s fast-paced digital society, what role does the humble postcard play? As people increasingly use smartphones and apps such as Facebook and Instagram to capture and circulate their own […]

I’m delighted to say that I’ve been successful in securing a place on Contemporary Visual Arts Network North West’s critical writing programme. Having attended the first workshop two weeks ago, I’m […]

You Would Cry Too If It Happened to You: Bob and Roberta Smith’s Art Party When Bob and Roberta Smith wrote his public letter of protest against the marginalisation of […]

When the inaugural Asia Triennial Manchester launched in 2008, global interest in Asian art had hit unprecedented levels. An increasing awareness of the exciting work being made across the vast […]