Selected Writing

Corridor8: What We Don’t Talk About When We Talk About The Artist-Led symposium, Exhibition Research Lab, Liverpool John Moores University (report)

Corridor8: Liam Fallon: Supersymmetry (exhibition review)
Shadow and Light (exhibition introductory text)
Journal of Visual Arts Practice: The Art Schools of North West England (exhibition review)

Corridor8: Headlands to Headspace (exhibition review)
thisistomorrow: Material Environments, The Tetley (exhibition review)
Corridor8: Ambiguous Implements, Touchstones (exhibition review)
The Double Negative: Class of 2018 (feature)
Corridor8: Anne Hardy: Falling and Walking…, Leeds Art Gallery (exhibition review)
thisistomorrow, Masters of the Universe, Ikon Gallery (exhibition review)
Match Report (zine)
The Double Negative, Betty Woodman, Civic Gallery, Barnsley (exhibition review commissioned by Liverpool Biennial)
a-n: History is Now, The Hayward Gallery (exhibition review)
Interview with Jack Welsh (a-n interview)

The Double Negative, AND A 123, Castlefield Gallery (exhibition review)
The Double Negative, Baa Baa Baric, St Helens (review commissioned by Heart of Glass)
Corridor8, Jenny Steele – Miami to Morecambe… (exhibition review)
The Double Negative, Shapes of Water, Sounds Of Hope (commissioned by Super Slow Way)
The Double Negative, Class of 2017 (feature)
Sophie Lee: Make Place (commissioned exhibition text)
Artlyst: Public View, Bluecoat (review)

The Double Negative, Field Trip: Art Basel & Documenta (Field Trip feature)
a-n: Hannah Leighton-Boyce (interview)
The Double Negative, Class of 2016 (feature)
On Being Curious, book, publication by The Double Negative.
The Double Negative: Liverpool Biennial Associates Programme (feature commissioned by Liverpool Biennial)
The Double Negative: The Necropolitan Line, Henry Moore Institute (exhibition review)

Art in Liverpool, An Imagined Museum, Tate Liverpool (article)
Corridor8: Glasshouse, Bluecoat (review)
CVAN NW: Super Slow Way (commissioned text as part of CVAN #writecritical programme)
Corridor8: A Green and Pleasant Land? The Harris Museum (exhibition review)
CVAN NW: Simeon Barclay (commissioned text as part of CVAN #writecritical programme)
a-n: György Kepes: The New Landscape (exhibition review)
The Double Negative, Class of 2015 (feature)
a-n: History is Now, The Hayward Gallery (exhibition review)
CVAN NW: Critical Writing Bursary (bursary)
Not: The Art of Resistance, Holden Gallery (exhibition review)

a-n blogs: Mark Devereux (interview)
Corridor8: James McLardy (interview)
The Double Negative: Class of 2015 (feature)
Creative Tourist: Asia Triennial Manchester 2014 (exhibition review)
Creative Tourist: A New Reality Part 2, The Tetley (feature)
The Skinny: Art Party, Cornerhouse Manchester (feature)
Drawing Paper 7 (new drawings)

A Sense of Place, Warrington Arts Festival (commissioned essay)
Portfolio NW, Bluecoat (commissioned exhibition essay)
Corridor8: Kevin Hunt (interview)
Corridor8: Mark Boulos (interview)
Schauen: the work of Liz West (exhibition essay)
a-n: Portfolio NW artist talking blog (featuring invited artists)
Processing newspaper (crowdfunded newspaper accompanying exhibition)
Corridor8: A Universal Archive – William Kentridge as Printmaker, Bluecoat (exhibition review)

How does the Art on the Underground programme contribute to the urban development of London? (Dissertation for MA Arts Management, Policy and Practice at the University of Manchester)
a-n: Everything is Connected, Art on the Underground (book review commission)
The Shrieking Violet: A Permanent Fixture? The Paolozzi Mosaics at Tottenham Court Road (article, issue 20)